{"id":15002,"date":"2026-04-04T20:49:06","date_gmt":"2026-04-04T23:49:06","guid":{"rendered":"https:\/\/radioclanfm.com\/clanespectaculos\/?p=15002"},"modified":"2026-04-04T20:49:06","modified_gmt":"2026-04-04T23:49:06","slug":"el-vestuario-de-rosalia-en-su-nueva-gira-lux-de-lo-sacro-y-teatral-a-un-tocado-con-plumas-de-avestruz","status":"publish","type":"post","link":"https:\/\/radioclanfm.com\/clanespectaculos\/el-vestuario-de-rosalia-en-su-nueva-gira-lux-de-lo-sacro-y-teatral-a-un-tocado-con-plumas-de-avestruz\/","title":{"rendered":"El vestuario de Rosal\u00eda en su nueva gira \u201cLux\u201d: de lo sacro y teatral a un tocado con plumas de avestruz"},"content":{"rendered":"<p>El tut\u00fa plisado se volvi\u00f3 viral y Rafa Peinador es el autor del accesorio m\u00e1s llamativo del show: \u201cEs un honor que ella lo use\u201d.<\/p>\n<p class=\"paragraph font__body-regular\">Un\u00a0<b>tut\u00fa plisado<\/b>\u00a0inspirado en el ballet cl\u00e1sico del dise\u00f1ador italiano Stefano Gallici o un tocado de gran altura del sombrerero espa\u00f1ol\u00a0<b>Rafa Peinador<\/b>\u00a0son dos ejemplos de como el espect\u00e1culo\u00a0<i>Lux\u00a0<\/i>de\u00a0Rosal\u00eda\u00a0<b>utiliza el vestuario como hilo conductor de una propuesta art\u00edstica que transita entre lo sacro, lo teatral y lo actual.<\/b><\/p>\n<div id=\"ad-slot-infeed\" class=\"infeed-container ad-slot-infeed ad-slot\" data-adtype=\"infeed\" data-lazyload=\"1\" data-google-query-id=\"COSmyI-x1ZMDFehZ3QIdyKgnrA\">\n<div id=\"google_ads_iframe_\/113951150\/tn-arc\/nota\/infeed_0__container__\"><\/div>\n<\/div>\n<p class=\"paragraph font__body-regular\">Rosal\u00eda, que la \u00faltima semana act\u00fa\u00f3 cuatro d\u00edas en Madrid, presenta en esta gira una\u00a0<b>construcci\u00f3n visual firmada por el estilista Joe Carayol<\/b>, en la que el vestuario, concebido como eje narrativo, articula un\u00a0<b>di\u00e1logo entre moda, arte y tradici\u00f3n espa\u00f1ola.<\/b><\/p>\n<div data-mrf-experience=\"IL_fPSS4oUaSUaKNHLf4mpe3g\"><\/div>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-look-bailarina-foto-efe-AHR7KNARMJHM3D3V3YT4IHLX6M.jpg?auth=4cba2dc0487edfa6982405ec605c990512a5421eec24c1d43fd0feedfd6a1707&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-look-bailarina-foto-efe-AHR7KNARMJHM3D3V3YT4IHLX6M.jpg?auth=4cba2dc0487edfa6982405ec605c990512a5421eec24c1d43fd0feedfd6a1707&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-look-bailarina-foto-efe-AHR7KNARMJHM3D3V3YT4IHLX6M.jpg?auth=4cba2dc0487edfa6982405ec605c990512a5421eec24c1d43fd0feedfd6a1707&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-look-bailarina-foto-efe-AHR7KNARMJHM3D3V3YT4IHLX6M.jpg?auth=4cba2dc0487edfa6982405ec605c990512a5421eec24c1d43fd0feedfd6a1707&amp;width=767\" alt=\"Rosal\u00eda con look bailarina. (Foto: EFE)\" width=\"767\" height=\"429\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Rosal\u00eda con look bailarina. (Foto: EFE)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Rosal\u00eda encadena distintas identidades: desde bailarina cl\u00e1sica a figura de resonancias religiosas, pasando por\u00a0<b>referencias cortesanas\u00a0<\/b>y una est\u00e9tica m\u00e1s oscura vinculada a lo pagano. El vestuario acompa\u00f1a as\u00ed una narrativa que transita entre lo espiritual y lo terrenal, en l\u00ednea con la iconograf\u00eda del espect\u00e1culo.<\/p>\n<p class=\"paragraph font__body-regular\">En ese tr\u00e1nsito adquiere especial relevancia el trabajo del sombrerero\u00a0<b>Rafa Peinador<\/b>, madrile\u00f1o afincado en Londres reconocido por sus trabajos junto a\u00a0<b>Stephen Jones<\/b>\u00a0en Reino Unido o Guillermo D\u00e9cimo en Espa\u00f1a. El creador firma un tocado de gran altura que sintetiza la reinterpretaci\u00f3n actual del universo goyesco.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-un-tocado-de-alto-impacto-foto-efe-26OEAZRHIRHN5DMUYMB2Y62MYI.jpeg?auth=6f5290c1f39be3a26c0d6b55f4276ecc4b3f92dd7c2e0f211e75e302310e9126&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-un-tocado-de-alto-impacto-foto-efe-26OEAZRHIRHN5DMUYMB2Y62MYI.jpeg?auth=6f5290c1f39be3a26c0d6b55f4276ecc4b3f92dd7c2e0f211e75e302310e9126&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-un-tocado-de-alto-impacto-foto-efe-26OEAZRHIRHN5DMUYMB2Y62MYI.jpeg?auth=6f5290c1f39be3a26c0d6b55f4276ecc4b3f92dd7c2e0f211e75e302310e9126&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-con-un-tocado-de-alto-impacto-foto-efe-26OEAZRHIRHN5DMUYMB2Y62MYI.jpeg?auth=6f5290c1f39be3a26c0d6b55f4276ecc4b3f92dd7c2e0f211e75e302310e9126&amp;width=767\" alt=\"Rosal\u00eda con un tocado de alto impacto. (Foto: EFE)\" width=\"767\" height=\"511\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Rosal\u00eda con un tocado de alto impacto. (Foto: EFE)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">El tocado fue un\u00a0<b>redise\u00f1o\u00a0<\/b>de una pieza que ya ten\u00eda, se reinvent\u00f3 y redise\u00f1\u00f3 para ajustarse a la inspiraci\u00f3n de la pintura del aquelarre de Goya. Es bastante minimalista en lo que se refiere a la estructura:\u00a0<b>una diadema de metal de alambre hecha a medida con cuatro espadones de avestruz de m\u00e1xima calidad de 75 cm de alto<\/b>. \u201cLa estructura es sencilla pero la presencia es muy imponente, que es lo que se busca en este tipo de shows\u201d, explic\u00f3 el sombrerero.<\/p>\n<p class=\"paragraph font__body-regular\">La pieza, concebida como una estructura ligera pero de gran presencia, introduce un contraste deliberado entre la referencia pict\u00f3rica original y su traducci\u00f3n esc\u00e9nica. Las\u00a0<b>plumas de avestruz\u00a0<\/b>sustituyen la densidad crom\u00e1tica del cuadro por una imagen m\u00e1s et\u00e9rea.<\/p>\n<p class=\"paragraph font__body-regular\">\u201cEs una forma de reinterpretar algo que es oscuro y pesado como los colores de un macho cabr\u00edo en algo mucho m\u00e1s et\u00e9reo y rom\u00e1ntico como son las plumas de avestruz, sin perder ese efecto imponente\u201d, a\u00f1adi\u00f3 el creador sobre la pieza.<\/p>\n<p class=\"paragraph font__body-regular\">Para Peinador, la colaboraci\u00f3n supone un reconocimiento en el \u00e1mbito creativo. \u201cPara m\u00ed es un<b>\u00a0honor que ella lleve una de mis piezas<\/b>\u201d, se\u00f1al\u00f3.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-bailarina-en-su-gira-lux-foto-efe-7Z7YQOZCSND2VCLSTZE3N3DRKQ.jpeg?auth=567fa131488f79cfea915318452db445671d2e1b0554a75e89a1bef4631bd4ee&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-bailarina-en-su-gira-lux-foto-efe-7Z7YQOZCSND2VCLSTZE3N3DRKQ.jpeg?auth=567fa131488f79cfea915318452db445671d2e1b0554a75e89a1bef4631bd4ee&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-bailarina-en-su-gira-lux-foto-efe-7Z7YQOZCSND2VCLSTZE3N3DRKQ.jpeg?auth=567fa131488f79cfea915318452db445671d2e1b0554a75e89a1bef4631bd4ee&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-bailarina-en-su-gira-lux-foto-efe-7Z7YQOZCSND2VCLSTZE3N3DRKQ.jpeg?auth=567fa131488f79cfea915318452db445671d2e1b0554a75e89a1bef4631bd4ee&amp;width=767\" alt=\"Rosal\u00eda bailarina en su gira Lux. (Foto: EFE)\" width=\"767\" height=\"511\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Rosal\u00eda bailarina en su gira Lux. (Foto: EFE)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Entre el resto de las firmas implicadas, destaca la casa Ann Demeulemeester, cuyo actual director creativo, Stefano Gallici, ha desarrollado varias siluetas a medida para la artista. Entre ellas, un\u00a0<b>tut\u00fa plisado combinado con un body de encaje y elementos inspirados en el ballet cl\u00e1sico,<\/b>\u00a0una de las im\u00e1genes m\u00e1s reconocibles del inicio del espect\u00e1culo.<\/p>\n<p class=\"paragraph font__body-regular\">El vestuario se completa con aportaciones de creadores y talleres como Antonio Velasco, Maison Vivascarrion y Les Fleurs Studio, este \u00faltimo responsable de una capa final elaborada con textiles antiguos que refuerza el cierre del relato esc\u00e9nico.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-impacta-con-su-vestuario-en-lux-foto-efe-55YDLFVLPFACBIXDLLMZHEI4TE.jpeg?auth=9155577418dddba92ba998e045d490c6fd78c721c69ed56d09ce921895f18bf7&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-impacta-con-su-vestuario-en-lux-foto-efe-55YDLFVLPFACBIXDLLMZHEI4TE.jpeg?auth=9155577418dddba92ba998e045d490c6fd78c721c69ed56d09ce921895f18bf7&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-impacta-con-su-vestuario-en-lux-foto-efe-55YDLFVLPFACBIXDLLMZHEI4TE.jpeg?auth=9155577418dddba92ba998e045d490c6fd78c721c69ed56d09ce921895f18bf7&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/rosalia-impacta-con-su-vestuario-en-lux-foto-efe-55YDLFVLPFACBIXDLLMZHEI4TE.jpeg?auth=9155577418dddba92ba998e045d490c6fd78c721c69ed56d09ce921895f18bf7&amp;width=767\" alt=\"Rosal\u00eda impacta con su vestuario en Lux. (Foto: EFE)\" width=\"767\" height=\"617\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Rosal\u00eda impacta con su vestuario en Lux. (Foto: EFE)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">El conjunto del vestuario refuerza as\u00ed una est\u00e9tica h\u00edbrida en la que conviven\u00a0<b>referencias hist\u00f3ricas, elementos de la danza y c\u00f3digos modernos<\/b>. Las siluetas evolucionan a lo largo del espect\u00e1culo, incorporando vol\u00famenes, transparencias y estructuras que amplifican la dimensi\u00f3n esc\u00e9nica.<\/p>\n<p class=\"paragraph font__body-regular\">El arranque madrile\u00f1o de \u2018Lux\u2019 confirma as\u00ed la capacidad de Rosal\u00eda para construir un universo visual propio en el que<b>\u00a0el vestuario trasciende su funci\u00f3n est\u00e9tica para convertirse en una herramienta narrativa al servicio de una propuesta art\u00edstica global.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tut\u00fa plisado se volvi\u00f3 viral y Rafa Peinador es el autor del accesorio m\u00e1s llamativo del show: \u201cEs un honor que ella lo use\u201d. Un\u00a0tut\u00fa plisado\u00a0inspirado en el ballet cl\u00e1sico del dise\u00f1ador italiano Stefano Gallici o un tocado de gran altura del sombrerero espa\u00f1ol\u00a0Rafa Peinador\u00a0son dos ejemplos de como el espect\u00e1culo\u00a0Lux\u00a0de\u00a0Rosal\u00eda\u00a0utiliza el vestuario como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15005,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[13],"tags":[],"class_list":{"0":"post-15002","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-hollywood"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El vestuario de Rosal\u00eda en su nueva gira \u201cLux\u201d: de lo sacro y teatral a un tocado con plumas de avestruz - CLAN ESPECTACULOS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radioclanfm.com\/clanespectaculos\/el-vestuario-de-rosalia-en-su-nueva-gira-lux-de-lo-sacro-y-teatral-a-un-tocado-con-plumas-de-avestruz\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El vestuario de Rosal\u00eda en su nueva gira \u201cLux\u201d: de lo sacro y teatral a un tocado con plumas de avestruz - CLAN ESPECTACULOS\" \/>\n<meta property=\"og:description\" content=\"El tut\u00fa plisado se volvi\u00f3 viral y Rafa Peinador es el autor del accesorio m\u00e1s llamativo del show: \u201cEs un honor que ella lo use\u201d. 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