{"id":12039,"date":"2026-02-04T10:24:56","date_gmt":"2026-02-04T13:24:56","guid":{"rendered":"https:\/\/radioclanfm.com\/clanespectaculos\/?p=12039"},"modified":"2026-02-04T10:24:56","modified_gmt":"2026-02-04T13:24:56","slug":"con-la-muerte-de-valentino-termino-la-era-de-los-grandes-modistos-quienes-siguen-ahora","status":"publish","type":"post","link":"https:\/\/radioclanfm.com\/clanespectaculos\/con-la-muerte-de-valentino-termino-la-era-de-los-grandes-modistos-quienes-siguen-ahora\/","title":{"rendered":"Con la muerte de Valentino, termin\u00f3 la era de los grandes modistos: qui\u00e9nes siguen ahora"},"content":{"rendered":"<p>Pierpaolo Piccioli, Giambattista Valli, Alessandro Michele y Maria Grazia Chiuri son los italianos m\u00e1s destacados del momento.<\/p>\n<p class=\"paragraph font__body-regular\">En apenas cuatro meses, el mundo de la moda ha dicho adi\u00f3s a dos de sus grandes maestros:<b>\u00a0Armani y\u00a0<\/b><b>Valentino<\/b>. Su p\u00e9rdida confirma un\u00a0<b>tr\u00e1nsito generacional\u00a0<\/b>que el dise\u00f1o italiano inici\u00f3 hace a\u00f1os y marca el cierre de la era de los \u201cdise\u00f1adores-fundadores\u201d para consolidar un modelo menos personalista y m\u00e1s colectivo.<\/p>\n<div id=\"ad-slot-infeed\" class=\"infeed-container\"><\/div>\n<p>&nbsp;<\/p>\n<p class=\"paragraph font__body-regular\">M\u00e1s all\u00e1 del impacto emocional que supone la desaparici\u00f3n de las grandes figuras,\u00a0<b>el dise\u00f1o de moda italiano funciona desde hace tiempo con dise\u00f1adores tanto consolidados como emergentes<\/b>\u00a0que se enfrentan a retos como la velocidad del mercado, la rotaci\u00f3n constante de directores creativos o la dificultad de hacerse visibles, seg\u00fan expertos consultados por la agencia EFE.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/valentino-con-monica-bellucci-en-la-met-gala-en-el-2017-foto-benjamin-normanthe-new-york-times-IHSROSP3EV6REGRDB6E4FODG3M.jpg?auth=91a1e65d9dc5738a9b213bc230f200d692ab5469b4be9e9fca15c536b7582383&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/valentino-con-monica-bellucci-en-la-met-gala-en-el-2017-foto-benjamin-normanthe-new-york-times-IHSROSP3EV6REGRDB6E4FODG3M.jpg?auth=91a1e65d9dc5738a9b213bc230f200d692ab5469b4be9e9fca15c536b7582383&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/valentino-con-monica-bellucci-en-la-met-gala-en-el-2017-foto-benjamin-normanthe-new-york-times-IHSROSP3EV6REGRDB6E4FODG3M.jpg?auth=91a1e65d9dc5738a9b213bc230f200d692ab5469b4be9e9fca15c536b7582383&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/valentino-con-monica-bellucci-en-la-met-gala-en-el-2017-foto-benjamin-normanthe-new-york-times-IHSROSP3EV6REGRDB6E4FODG3M.jpg?auth=91a1e65d9dc5738a9b213bc230f200d692ab5469b4be9e9fca15c536b7582383&amp;width=767\" alt=\"Valentino con Monica Bellucci en la Met Gala en el 2017. (Foto: Benjamin Norman\/The New York Times)\" width=\"767\" height=\"1151\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Valentino con Monica Bellucci en la Met Gala en el 2017. (Foto: Benjamin Norman\/The New York Times)<\/div>\n<\/figcaption><\/figure>\n<h2 class=\"font--primary font__display\">Una transici\u00f3n sin emperadores\u0094<\/h2>\n<p class=\"paragraph font__body-regular\">\u201c<b>Valentino y Armani<\/b>\u00a0pertenecen a cuatro generaciones atr\u00e1s\u201d, afirma Paola Pattacini, directora de la Escuela de Moda del IED Roma. \u201cDespu\u00e9s de ellos llegaron Ferr\u00e9, Versace, luego Piccioli, Chiuri,\u00a0<b>Michele<\/b>. El relevo ya ocurri\u00f3, y seguir\u00e1 ocurriendo\u201d.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-icono-de-la-moda-italiana-foto-reutersremo-casilli-3FKW6RBBPSTOOV542CYUPS4Z7Q.jpg?auth=673cc99045aadbe71930da9689ed771a7348678b269c9d7970f96013597d2bb4&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-icono-de-la-moda-italiana-foto-reutersremo-casilli-3FKW6RBBPSTOOV542CYUPS4Z7Q.jpg?auth=673cc99045aadbe71930da9689ed771a7348678b269c9d7970f96013597d2bb4&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-icono-de-la-moda-italiana-foto-reutersremo-casilli-3FKW6RBBPSTOOV542CYUPS4Z7Q.jpg?auth=673cc99045aadbe71930da9689ed771a7348678b269c9d7970f96013597d2bb4&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-icono-de-la-moda-italiana-foto-reutersremo-casilli-3FKW6RBBPSTOOV542CYUPS4Z7Q.jpg?auth=673cc99045aadbe71930da9689ed771a7348678b269c9d7970f96013597d2bb4&amp;width=767\" alt=\"Giorgio Armani, \u00edcono de la moda italiana. (Foto: REUTERS\/Remo Casilli)\" width=\"767\" height=\"508\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Giorgio Armani, \u00edcono de la moda italiana. (Foto: REUTERS\/Remo Casilli)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Desde dentro del sector,\u00a0<b>la transici\u00f3n se lee como un proceso natural y acumulativo<\/b>, no como una ruptura.<\/p>\n<p class=\"paragraph font__body-regular\">La moda italiana, explica Pattacini, siempre ha avanzado por capas: \u201cen los a\u00f1os ochenta nacieron el \u2018pr\u00eat-\u00e0-porter\u2019 (listo para llevar) y los grandes nombres porque hubo visionarios que apostaron por ellos y les dieron tiempo\u201d.<\/p>\n<p class=\"paragraph font__body-regular\">Para Stefania Saviolo, profesora en Estrategia de Moda de la Universidad de Bocconi,\u00a0<b>el gran reto del sistema es transformar las marcas centradas en sus fundadores en instituciones capaces de competir con los conglomerados globales.<\/b><\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/miuccia-prada-aun-al-frente-de-su-marca-trabajando-con-raf-simons-foto-reutersalessandro-garofalo-ZPJOU4W423K7VGDIQGOVVPOF5M.jpg?auth=ba9926310b67baef0bf0610213e36d4c32d723bbcecfaae4668894edb6cea0ec&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/miuccia-prada-aun-al-frente-de-su-marca-trabajando-con-raf-simons-foto-reutersalessandro-garofalo-ZPJOU4W423K7VGDIQGOVVPOF5M.jpg?auth=ba9926310b67baef0bf0610213e36d4c32d723bbcecfaae4668894edb6cea0ec&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/miuccia-prada-aun-al-frente-de-su-marca-trabajando-con-raf-simons-foto-reutersalessandro-garofalo-ZPJOU4W423K7VGDIQGOVVPOF5M.jpg?auth=ba9926310b67baef0bf0610213e36d4c32d723bbcecfaae4668894edb6cea0ec&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/miuccia-prada-aun-al-frente-de-su-marca-trabajando-con-raf-simons-foto-reutersalessandro-garofalo-ZPJOU4W423K7VGDIQGOVVPOF5M.jpg?auth=ba9926310b67baef0bf0610213e36d4c32d723bbcecfaae4668894edb6cea0ec&amp;width=767\" alt=\"Miuccia Prada aun al frente de su marca, trabajando con Raf Simons. (Foto: REUTERS\/Alessandro Garofalo)\" width=\"767\" height=\"1150\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Miuccia Prada aun al frente de su marca, trabajando con Raf Simons. (Foto: REUTERS\/Alessandro Garofalo)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">La dimensi\u00f3n en este negocio es importante y los grupos -aunque sean de tama\u00f1o menor, como Zegna o Prada- permiten diversificar riesgos y ganar solidez&#8221;, se\u00f1ala.<\/p>\n<p class=\"paragraph font__body-regular\">En este escenario,\u00a0<b>la autoridad del creador \u00fanico deja paso a estructuras m\u00e1s colectivas<\/b>: \u201cNi el creativo ni el m\u00e1nager solos pueden sostener un negocio; es el dream team\u0092 (equipo de ensue\u00f1o) el que marca la diferencia&#8221;, a\u00f1ade Saviolo.<\/p>\n<h2 class=\"font--primary font__display\">Nuevos talentos y retos actuales<\/h2>\n<p class=\"paragraph font__body-regular\">El\u00a0<b>relevo creativo existe<\/b>, pero se enfrenta a un entorno m\u00e1s exigente: la aceleraci\u00f3n del calendario de colecciones, la rotaci\u00f3n constante de directores creativos y la presi\u00f3n comercial\u00a0<b>dificultan la construcci\u00f3n de una visi\u00f3n a largo plazo.<\/b><\/p>\n<p class=\"paragraph font__body-regular\">\u201cLa creatividad necesita tiempo -opina Pattacini- antes tard\u00e1bamos meses en dise\u00f1ar una colecci\u00f3n, hoy se produce una al mes\u201d.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/donatella-versace-y-pierpaolo-piccioli-en-el-entierro-de-valentino-en-roma-foto-reutersyara-nardi-IYU7E7ZM5AGZAVIEPTFUPG3FUY.jpg?auth=b432989243038c34a854090e414ad90d7c4d901f66d47ebe7ee50db66db3b711&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/donatella-versace-y-pierpaolo-piccioli-en-el-entierro-de-valentino-en-roma-foto-reutersyara-nardi-IYU7E7ZM5AGZAVIEPTFUPG3FUY.jpg?auth=b432989243038c34a854090e414ad90d7c4d901f66d47ebe7ee50db66db3b711&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/donatella-versace-y-pierpaolo-piccioli-en-el-entierro-de-valentino-en-roma-foto-reutersyara-nardi-IYU7E7ZM5AGZAVIEPTFUPG3FUY.jpg?auth=b432989243038c34a854090e414ad90d7c4d901f66d47ebe7ee50db66db3b711&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/donatella-versace-y-pierpaolo-piccioli-en-el-entierro-de-valentino-en-roma-foto-reutersyara-nardi-IYU7E7ZM5AGZAVIEPTFUPG3FUY.jpg?auth=b432989243038c34a854090e414ad90d7c4d901f66d47ebe7ee50db66db3b711&amp;width=767\" alt=\"Donatella Versace y Pierpaolo Piccioli en el entierro de Valentino en Roma. (Foto: REUTERS\/Yara Nardi)\" width=\"767\" height=\"512\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Donatella Versace y Pierpaolo Piccioli en el entierro de Valentino en Roma. (Foto: REUTERS\/Yara Nardi)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Aun as\u00ed, Italia sigue generando dise\u00f1adores capaces de reinterpretar su legado, con directores creativos como\u00a0<b>Pierpaolo Piccioli<\/b>\u00a0(Balenciaga),\u00a0<b>Giambattista Valli<\/b>, Alessandro Michele (Valentino) o Maria Grazia Chiuri (Fendi), junto a talentos emergentes como Francesco Murano, Marcello Pipitone o<b>\u00a0Luca Magliano<\/b>\u00a0que apuestan por el oficio y el rigor t\u00e9cnico en un mercado dominado por los algoritmos y el marketing.<\/p>\n<p class=\"paragraph font__body-regular\">\u201cDise\u00f1adores hay muchos, el desaf\u00edo es que encuentren\u00a0<b>socios que crean en ellos\u00a0<\/b>y les permitan crecer\u201d, subraya Pattacini.<\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/alessandro-michele-heredero-de-valentino-al-frente-de-la-marca-foto-reutersstephane-mahe-WKKAHR6S2HAJRIMUVAKMEPLQO4.jpg?auth=8a44883f2c5c73f17af97be3f360c887ab987a77b5bcb40e6db56d855b1d315c&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/alessandro-michele-heredero-de-valentino-al-frente-de-la-marca-foto-reutersstephane-mahe-WKKAHR6S2HAJRIMUVAKMEPLQO4.jpg?auth=8a44883f2c5c73f17af97be3f360c887ab987a77b5bcb40e6db56d855b1d315c&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/alessandro-michele-heredero-de-valentino-al-frente-de-la-marca-foto-reutersstephane-mahe-WKKAHR6S2HAJRIMUVAKMEPLQO4.jpg?auth=8a44883f2c5c73f17af97be3f360c887ab987a77b5bcb40e6db56d855b1d315c&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/alessandro-michele-heredero-de-valentino-al-frente-de-la-marca-foto-reutersstephane-mahe-WKKAHR6S2HAJRIMUVAKMEPLQO4.jpg?auth=8a44883f2c5c73f17af97be3f360c887ab987a77b5bcb40e6db56d855b1d315c&amp;width=767\" alt=\"Alessandro Michele, heredero de Valentino, al frente de la marca. (Foto: REUTERS\/Stephane Mahe)\" width=\"767\" height=\"511\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Alessandro Michele, heredero de Valentino, al frente de la marca. (Foto: REUTERS\/Stephane Mahe)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Para Sonia Veroni, fundadora del archivo Modateca Deanna, el problema de los nuevos talentos \u201cno es la falta de creatividad, sino\u00a0<b>la dificultad de hacerse visible en un mercado cada vez m\u00e1s competitivo<\/b>, se\u00f1ala a EFE.<\/p>\n<h2 class=\"font--primary font__display\">El \u2018saper fare\u2019 como herencia real<\/h2>\n<p class=\"paragraph font__body-regular\">La fortaleza de la moda italiana reside en su estructura productiva:\u00a0<b>alrededor de 60.000 empresas sostienen la cadena de valor del \u2018Made in Italy\u2019<\/b>, desde la investigaci\u00f3n textil hasta la confecci\u00f3n final, garantizando un \u2018saper fare\u2019 (saber hacer) que trasciende a las individualidades.<\/p>\n<p class=\"paragraph font__body-regular\">Veroni insiste en que ese es el verdadero patrimonio de la moda italiana: si una marca quiere hacer las cosas bien, cualitativa y \u00e9ticamente,<b>\u00a0Italia sigue siendo el lugar donde hacerlo.<\/b><\/p>\n<figure class=\"\" data-testid=\"figure-testid\">\n<div class=\"aspect_ratio__container\"><picture class=\"responsive-image\"><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-prive-la-coleccion-alta-costura-de-armani-presentada-en-paris-foto-reuterssarah-meyssonnier-AIWQBEV5VGUK6SHLYNNUZSIJ6U.jpg?auth=8e5534e7a4dff182224040567e3ed7458daabeb2a26db41e1f95572d19ccb860&amp;width=767\" type=\"image\/jpg\" media=\"(max-width: 728px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-prive-la-coleccion-alta-costura-de-armani-presentada-en-paris-foto-reuterssarah-meyssonnier-AIWQBEV5VGUK6SHLYNNUZSIJ6U.jpg?auth=8e5534e7a4dff182224040567e3ed7458daabeb2a26db41e1f95572d19ccb860&amp;width=1023\" type=\"image\/jpg\" media=\"(max-width: 1023px)\" \/><source srcset=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-prive-la-coleccion-alta-costura-de-armani-presentada-en-paris-foto-reuterssarah-meyssonnier-AIWQBEV5VGUK6SHLYNNUZSIJ6U.jpg?auth=8e5534e7a4dff182224040567e3ed7458daabeb2a26db41e1f95572d19ccb860&amp;width=1440\" type=\"image\/jpg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"image content-image image_placeholder\" src=\"https:\/\/tn.com.ar\/resizer\/v2\/giorgio-armani-prive-la-coleccion-alta-costura-de-armani-presentada-en-paris-foto-reuterssarah-meyssonnier-AIWQBEV5VGUK6SHLYNNUZSIJ6U.jpg?auth=8e5534e7a4dff182224040567e3ed7458daabeb2a26db41e1f95572d19ccb860&amp;width=767\" alt=\"Giorgio Armani Prive, la colecci\u00f3n alta costura de Armani, presentada en Par\u00eds. (Foto: REUTERS\/Sarah Meyssonnier)\" width=\"767\" height=\"511\" data-testid=\"loading-testid\" \/><\/picture><\/div><figcaption class=\"caption_image\" data-testid=\"figcaption-testid\">\n<div class=\"image_caption \">Giorgio Armani Prive, la colecci\u00f3n alta costura de Armani, presentada en Par\u00eds. (Foto: REUTERS\/Sarah Meyssonnier)<\/div>\n<\/figcaption><\/figure>\n<p class=\"paragraph font__body-regular\">Una visi\u00f3n compartida por la profesora Saviolo, quien subraya que \u201cel producto sigue siendo fundamental: no solo la visi\u00f3n estil\u00edstica, sino tambi\u00e9n la manufactura, la calidad y la transparencia sobre lo que el consumidor paga.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pierpaolo Piccioli, Giambattista Valli, Alessandro Michele y Maria Grazia Chiuri son los italianos m\u00e1s destacados del momento. En apenas cuatro meses, el mundo de la moda ha dicho adi\u00f3s a dos de sus grandes maestros:\u00a0Armani y\u00a0Valentino. Su p\u00e9rdida confirma un\u00a0tr\u00e1nsito generacional\u00a0que el dise\u00f1o italiano inici\u00f3 hace a\u00f1os y marca el cierre de la era de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":{"0":"post-12039","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-moda"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Con la muerte de Valentino, termin\u00f3 la era de los grandes modistos: qui\u00e9nes siguen ahora - CLAN ESPECTACULOS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radioclanfm.com\/clanespectaculos\/con-la-muerte-de-valentino-termino-la-era-de-los-grandes-modistos-quienes-siguen-ahora\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Con la muerte de Valentino, termin\u00f3 la era de los grandes modistos: qui\u00e9nes siguen ahora - CLAN ESPECTACULOS\" \/>\n<meta property=\"og:description\" content=\"Pierpaolo Piccioli, Giambattista Valli, Alessandro Michele y Maria Grazia Chiuri son los italianos m\u00e1s destacados del momento. En apenas cuatro meses, el mundo de la moda ha dicho adi\u00f3s a dos de sus grandes maestros:\u00a0Armani y\u00a0Valentino. 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